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Burst tests. --- Heat resistant alloys. --- Microstructure. --- Engine design. --- Disks (shapes) --- Grains.
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Shapes --- Design --- Forms (Shapes) --- Shape --- Geometry --- Surfaces --- Geometrical models --- Creation (Literary, artistic, etc.) --- Mathematics. --- DESIGN/General --- DESIGN/Graphic Design --- Creative ability in art --- Creative ability in literature --- Art --- Imagination --- Inspiration --- Literature --- Creative ability --- Originality --- Models and modelmaking --- Models
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As much as skills and styles matter when it comes to design, every visual begins with a fundamental element that can be enhanced or expanded into an aesthetically pleasing and meaningful piece of work. Whether they serve as simple points of focus or building blocks for complex patterns, these elements present countless possibilities when combined with purpose and principles like contrast, balance, rhythm, and white space.Going back to basics, DOT, LINE, SHAPE is a comprehensive collection of projects that manifest the three elements in inspiring and ingenious ways to bring unique creative visions to life. No matter how trends or platforms change over time, they serve as timeless components that provide designers and artists around the world with infinite means of expression to make a lasting impact.Bron: https://www.bol.com/nl/p/dot-line-shape/9200000110588051/?country=BE
Vormgeving --- Grafische vormgeving --- Graphic arts --- Drawing --- Dots (Art) --- Line (Art) --- Shapes --- 766.039 --- 766:659.154 --- 766:655.2 --- 766:725.21 --- Grafische vormgeving ; toepassing van geometrische vormen --- Forms (Shapes) --- Shape --- Geometry --- Surfaces --- Art --- Technique --- Themes, motives --- Design&delete& --- Gebruiksgrafiek ; 2000 - 2050 --- Gebruiksgrafiek ; verpakkingsmateriaal, verpakken, versieren --- Gebruiksgrafiek ; typografie --- Gebruiksgrafiek ; reclame voor winkels, merken --- Subjects --- Symbolen --- Pictogrammen --- graphic design --- industrial design --- illustrations [layout features] --- Symbool --- Pictogram --- China --- Design --- 766.31.039 --- Grafische industrie en ontwerp ; beeld ; reclame ; geschiedenis ; 2000-2050 --- Druktechniek
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"The longer you work, the more the mystery deepens of what appearance is, or how what is called appearance can be made in another medium."-Francis Bacon, painter This, in a nutshell, is the central problem in the theory of art. It has fascinated philosophers from Plato to Wittgenstein. And it fascinates artists and art historians, who have always drawn extensively on philosophical ideas about language and representation, and on ideas about vision and the visible world that have deep philosophical roots. John Hyman's The Objective Eye is a radical treatment of this problem, deeply informed by the history of philosophy and science, but entirely fresh. The questions tackled here are fundamental ones: Is our experience of color an illusion? How does the metaphysical status of colors differ from that of shapes? What is the difference between a picture and a written text? Why are some pictures said to be more realistic than others? Is it because they are especially truthful or, on the contrary, because they deceive the eye? The Objective Eye explores the fundamental concepts we use constantly in our most innocent thoughts and conversations about art, as well as in the most sophisticated art theory. The book progresses from pure philosophy to applied philosophy and ranges from the metaphysics of color to Renaissance perspective, from anatomy in ancient Greece to impressionism in nineteenth-century France. Philosophers, art historians, and students of the arts will find The Objective Eye challenging and absorbing.
Visual perception. --- Composition (Art) --- Color in art. --- Art --- Psychology. --- appearance, representation, art, aesthetics, objectivity, subjectivity, color, form, reality, medium, plato, wittgenstein, language, vision, visual arts, philosophy, science, illusion, shapes, sensory experience, perception, shape, realism, theory, metaphysics, ancient greece, renaissance, medieval, anatomy, impressionism, france, history, nonfiction, galileo, depiction, occlusion, optics, relativism, imitation, psychology, composition.
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Path integrals provide a powerful method for describing quantum phenomena. This book introduces the quantum mechanics of particles that move in curved space by employing path integrals and then using them to compute anomalies in quantum field theories. The authors start by deriving path integrals for particles moving in curved space and their supersymmetric generalizations. They then discuss the regularization schemes essential to constructing and computing these path integrals. This topic is used to introduce regularization and renormalization in quantum field theories in a wider context. These methods are then applied to discuss and calculate anomalies in quantum field theory. Such anomalies provide enormous constraints in the search for physical theories of elementary particles, quantum gravity and string theories. An advanced text for researchers and graduate students of quantum field theory and string theory, the first part is also a stand-alone introduction to path integrals in quantum mechanics.
Quantum field theory --- Path integrals --- 530.19 --- Integrals, Path --- Integrals --- Probabilities --- Quantum theory --- Statistical physics --- Relativistic quantum field theory --- Field theory (Physics) --- Relativity (Physics) --- Fundamental functions in general. Potential. Gradient. Intensity. Capacity etc. --- Curves. --- Path integrals. --- 530.19 Fundamental functions in general. Potential. Gradient. Intensity. Capacity etc. --- Curves --- Calculus --- Conic sections --- Geometry, Analytic --- Geometry, Differential --- Geometry, Enumerative --- Mathematics --- Shapes --- Fundamental functions in general. Potential. Gradient. Intensity. Capacity etc
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